The Tank at night (Photo courtesy Friends of the Tank)

The Tank in Rangely, Colorado, is considered one of the sonic marvels of the world within a certain circle of composers and sound artists. (Photo courtesy Friends of the Tank)


Is there a connection between noise and money?  Which sounds are healing to us as humans, and which are damaging? And what does an abandoned water tank in Colorado have in common with the Taj Mahal or a Gothic cathedral?

These are questions that sound artist and composer Bruce Odland has been pondering for decades. While Odland began his career in the traditional music world—one that emphasized Bach, Beethoven, and Brahms—Odland discovered that his academic training didn’t correspond with his own experiences in the American landscape. While traveling in the mountains out West, he began to invent a new musical language—one based on the random sounds of nature instead of the repeated sounds and rhythms found in both Western music and in man-made machines.


Composer Bruce Odland recording at The Tank in Rangely, Colorado (Photo courtesy Friends of the Tank)

Composer Bruce Odland recording inside the abandoned water tank in Rangely, Colorado (Photo courtesy Friends of the Tank)



Bruce Odland-Switzerland 1

Bruce Odland making recordings for Hearing View, a project involving the oldest mental hospital in Switzerland. The project is a collaboration with Sam Auinger. (Photo courtesy Bruce Odland)



Blue Moon at the World Financial Center in New York City (Photo courtesy Bruce Odland)

For Blue Moon, O + A (Sam Auinger and Bruce Odland) created an installation that transformed the environment of the World Financial Center Plaza in New York City into an ambient soundscape activated by the rising tides of the river, docking commuter ferries, helicopter and jet traffic, car horns, w